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Writer, editor and screenwriter Dina Rubina gave a long interview to Graham: about Restless Nature, Double Surnames, Parsley Syndrome, attitude towards Pelevin and the mercilessness of life.
00:00 - Dina Rubina is in touch;
00:56 - About the story “Restless Nature” and meeting Boris Polev;
02:35 - Was there a feeling of inner freedom in thick magazines?;
06:14 - Did Dina feel a thaw at the age of 16?;
07:59 - Was there an analogue to Holden Caulfield in Soviet literature?;
10:24 - Why did the south cease to be a point of creative salvation?;
13:16 - Were there “officials from literature”?;
16:55 - Did Dina think that she would write “on the table”?;
19:03 - Is recognition important for a writer?;
22:07 - About the “literary games” of writers;
24:23 - About Pelevin’s perception;
25:56 - About overcoming the fear of speaking;
30:25 - Who was Dina Rubina named after?;
32:08 - Can Dina Rubina feel like Dorothy from Oz?;
34:31 - How is a character created?;
36:05 - About working with the image of a child;
38:00 - About film adaptations of works;
39:54 - About film adaptations based on;
41:58 - Does cinematography make the writer hostage to certain images?;
45:49 - Is Rubina often taken out of context?;
47:34 - What is your (least) favorite novel?;
49:50 - Is Dina Rubina merciless to her heroes?;
51:23 - About realizing the finitude of life;
53:27 - What connects Dina with Latvia?;
56:33 - About Dina Rubina’s open letter.
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