Ep. 34 - Awakening from the Meaning Crisis - Sacredness: Horror, Music, and the Symbol

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John Vervaeke

John Vervaeke

4 роки тому

New videos released every Friday.
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Books in the Video:
- Michael Anderson - After Phrenology: Neural Reuse and the Interactive Brain
Series Playlist: ukposts.info?list...
Facebook: / vervaeke.john
Twitter: / vervaeke_john
Thirty-fourth episode of Dr. John Vervaeke's Awakening from the Meaning Crisis.

КОМЕНТАРІ: 151
@TheJaketone
@TheJaketone 4 роки тому
I’d like to note that the art with which John delivers and speaks these lectures is incredibly well executed and in itself a huge reason why he has fresh impact on these topics. I’m a musician myself and I play in a lot of improvisational situations both live and in studios. This type of playing feels like pure RR when it’s done right and it is definitely felt as a flow state by all in such situations. John Vervaeke has a way at times of lulling you into a spot or corner in your thinking or consciousness (dope on a rope like Ali) and then smacking you back awake with new insight from a couple huge punches. He does this with a wonderful and needed pace, this pace is used well both within each episode and across the series. At his best he really builds a crescendo (again metaphors) of sustained flow and insight that form a wave like crashing of new RR for the listeners. Huge thanks to John for all of this and his way of lecturing. I’ve had a harder (slower) time with the heavy RR vids and although I’m seeing and understanding what he’s saying....this talk of music, metaphor, flow, RR in these last two episodes really brought the awe for me.
@SapientEudaimonia
@SapientEudaimonia 2 роки тому
Beautiful comment and compliment, and I fully agree! :-)
@PJ-hi1gz
@PJ-hi1gz Рік тому
Likewise I struggled with the very technical RR episodes but these ones have been incredibly relevant
@RickDelmonico
@RickDelmonico Рік тому
Vervaeke is one element is a series of thinkers. He does not know all of the work of the great thinkers. You have to collect many ideas from many great men. Collect, integrate, and synthesize. Forrest Landry would be another example.
@matthewparlato5626
@matthewparlato5626 Місяць тому
The exemplification is as profound. And the substance is quite profound whew
@harmonicparadox2055
@harmonicparadox2055 4 роки тому
"The spit becomes inter-categorical." Great line.
@ToriKo_
@ToriKo_ 2 роки тому
I’m not sure this is a sufficient explanation though, as there is plenty of intercategorical things that we have different reactions to that disgust, if we have reactions at all
@akirathedon
@akirathedon 4 роки тому
🌊 O H 🌊 B O Y 🌊
@911garebear
@911garebear 4 роки тому
Vervaeke wave?
@aqualityexistence4842
@aqualityexistence4842 4 роки тому
@@911garebear Yes, please!
@SapientEudaimonia
@SapientEudaimonia 2 роки тому
RelevanceRealizationReligioWave! 🌊
@RobinTurner
@RobinTurner Рік тому
Nice to see Lakoff and Johnson getting a mention - they influenced my thinking tremendously when I was working on my MA dissertation, which was about categorisation (and actually floated the idea of "category stress", which relates to but is not exactly the same as Mary Douglas's idea of intercategorality mentioned here). To answer the criticism of Lakoff and Johnson that you can "attack" an argument but not "assault" it, they do actually address that point when they say that poetic language is often the result of extending a conceptual metaphor (here, Argument Is War) in novel ways by using words that fit it but are not commonly used ("assault", "bludgeon" etc.). As for "criticise the castle", that does indeed sound like Monty Python (and humour does indeed often originate from deliberately inappropriate metaphor or category stress). But I think Lakoff and Johnson would reply that it seems absurd because the normal direction of metaphor is to apply a physical source domain (war) to an abstract target domain (argument), not the other way round. To use another conceptual metaphor, A Theory Is a Building, we can say that a theory is soundly constructed but we wouldn't say that a house is logically argued.
@polymathpark
@polymathpark 2 роки тому
“Music is a pivotal way in which we represent the sacred, and why music strikes us so perspectivaly, and participatorially. We don’t just think about music, it insinuates its way into our perspectival salience landscape and we embody it, the rhythms and what’s happening in the music become sewn into our processes of co-identification. The way the world as an arena is disclosed to we/me, and the way my agency has been structured is deeply transformed by music.” Spot on, chap.
@SapientEudaimonia
@SapientEudaimonia 2 роки тому
It may sound a bit naive, but I think I experienced horror while quickly losing my mother due to a fatal disease years ago. A parent which I deemed almost immortal, and I could not fathom losing an individual still so full of life (yet so sick) and so dear to everyone and their existence around her. Almost like our interconnected webs of life would not make any sense anymore, and life itself losing this meaning and coherence. I never felt so much dread in that moment, but also that flowlike supersalient quality of my experience, when I realized, fully realized, the mortality and imminent death of my mother, and the process of her leaving this existence. The feelings of grief came much later.
@johnvervaeke
@johnvervaeke 2 роки тому
Thank you for sharing that. Very moving.
@SapientEudaimonia
@SapientEudaimonia 2 роки тому
@@johnvervaeke Thank you for the kind reply, John.
@dmitrypetrouk8924
@dmitrypetrouk8924 2 роки тому
Deeply touching, thank you It reminds me this moment from Midnight Gospel - ukposts.info/have/v-deo/qnynibCrp2160Js.html It is based on this recording of Duncan and his mom talking about her coming death - ukposts.info/have/v-deo/hHeWfYmPrnmQ0YU.html
@jmholthuysen
@jmholthuysen Рік тому
The more I watch of this series, the more deeply appreciative I am of the work John has done here. Every episode John brings a passion and sincerity to his teaching that compels me to respond with humility and attention. Thank you.
@leecooper6411
@leecooper6411 4 роки тому
Watching on 9/11. First Plane: Terrible Accident Second Plane: Horror
@rosafalls8068
@rosafalls8068 4 роки тому
As my old professor taught me, "The Sublime is The Awful and The Awesome" at once....horrible and brilliantly beautiful. Moses on The Mountain for days while there was thunder and lightning all around, then, returning from that horror shining so bright he had to cover his face so as not to blind people would be an example. Electricity and fire, both deadly and fascinating at once. Now, I'll go back to listening....
@brentonbrenton9964
@brentonbrenton9964 4 роки тому
The whole first half had me thinking about H.P. Lovecraft because (from my limited understanding) this seems to be exactly what he was getting at in his ideas of horror. The thing is so strange, so alien, and yet so powerful and (at the same time) not at all concerned with our existence in comparison that horror is the appropriate response. The lovecraftian god Azathoth, sometimes referred to as the "Blind Idiot God", is a great example. Our universe is its dream... a dream it is completely unaware of. How do you even go about grasping the motives of such a being? In contrast a character such as Thanos (from the marvel universe) has motivations that we can relate to. They are grand and apocalyptic for us, but we have world wars in our history. We have books like the 'Left Behind' series where there is a vanishing of some percentage of the population. These ideas are hard, but they aren't horror.
@RobinTurner
@RobinTurner Рік тому
My thoughts exactly.
@quentissential
@quentissential 11 місяців тому
Recommendations for a first Lovecraft book to get into with this lecture in mind? I've never got into Lovecraft... But have been wanting to lately.
@neetfreek9921
@neetfreek9921 11 місяців тому
And an antonym that I think fits with this would be the Japanese aesthetic of Yugen.
@HansBBJJ
@HansBBJJ 2 роки тому
Horror, wonder and awe are exemplified in the act of going through these lectures and realising that you've been doing life wrong - yet realising the infinite possibilities of what could be as a result of the insight afforded by them.
@maxwellbliss
@maxwellbliss Рік тому
You truly are a poet, John. I am in awe at your explanatory sentences in this series, especially when it seems like you are piecing together new insights right in front of us. I greatly enjoy transcribing these artistic metaphors into my notebook. Thank you for all of your work!
@michel-jeantailleur
@michel-jeantailleur 4 роки тому
Music precedes language. Which is why it affects us so profoundly. It's a world not of things but of events and relations. Just like the reality of quantum physics in fact. And language is a metaphor of mind. Without metaphors there is no world from which the human mind can differentiate itself. McGilchrist's Master & Emissary is eloquent about this. I hope John will say more about music at some point. Because it seems like pure RR to me.
@Muthaphuckka
@Muthaphuckka 4 роки тому
Interesting! Will check that out
@kiljoy5223
@kiljoy5223 4 роки тому
I’m also very familiar with McGilchrist’s work. On music, there was some discussion in the comments section (of a Vervaeke questions and answers, ?I think) and the lack of narrative structure in modern pop music. I’d be really interested to know what you make of what Dave Kilminster (guitarist for Roger Waters) has to say about the music of Pink Floyd, in the first couple of minutes of this interview ukposts.info/have/v-deo/f3thbaNreJ5l1Y0.html The interesting thing for me is that he apparently deduces the emotional content of the music from the audience reaction “like a religious experience” (a left hemisphere response?), however, I do think he does a pretty good job of emulating the nuance of Gilmour’s guitar parts.
@jasetheacity
@jasetheacity 4 роки тому
Excellent book by McGilchrist, I'm currently reading the chapter on music and language
@kiljoy5223
@kiljoy5223 4 роки тому
Jase the-ace Excellent? Try telling mau deeb that... the brain is the most complex thing in the universe ergo we can’t really infer anything of particular, or even general, significance. Or so I think the left hemisphere logic goes. 🤨mau... who? Never mind 😎 But yes, M>e is an intriguing and profound read methinks.
@kiljoy5223
@kiljoy5223 4 роки тому
@@jasetheacity hi, how are you getting on with Master and emissary? There’s a fairly recent interview with McGilchrist here ukposts.info/have/v-deo/hopna4hwZ2mDkas.html
@elel2608
@elel2608 4 роки тому
I know you do Tai Chi John, but from watching your videos and doing Yogic type of martial arts myself, I’m starting to see how Eastern martial arts which are based on the union of opposites (yin yang, tenchi, Inyo, aun, etc.) are amazing psychotechnologies to help us get a grip on reality. Connecting, tuning, and balancing the opposites seems to be the ideal Being. You are not too far away that you can’t see reality but you are not so close that you only see a solitary detail and don’t see the whole tapestry. You are neither fighting, nor are you retreating. You are not “strong”, but you are not “weak”. As much as there is up, there is also down. Your body is not resisting the pull of gravity but the force of the ground holds you up and keeps you taut like a piano string is. You are the connecting point between heaven and earth. Daoists would call it pure effortlessness. Cognitive scientists would call it flow. Even practicing martial arts and the notion of tenchijin (heaven, earth, man) has helped me to see that this is what spirituality is supposed to be. We were created to be God’s temples. So while we (man) are fallen, limited, terrestrial (earth) creatures, God (heaven) is supposed to embody us and help us be for His sake. In fact, without our connection to Heaven, without God to inhabit this temple, we cannot be, at least ideally. But we sever our connections to Heaven, we don’t allow God to inhabit us, we refuse to be a conduit for heaven, because we’re inflated with ourselves. The idea of walking circumspectly and humbly and appreciate our “earthiness” is not to be some meek push over but it is be empty enough so that we can connect with heaven, to be filled with God, to be a conduit between and earth, and thus live ideally for God’s sake. It seems horror is a mechanism, as you suggested, is supposed to function as some kind of mechanism that helps us see our earthiness, our finitude and to help us embrace it and see how it is necessary for the union of opposites. If we don’t see that there is an earth (yin), then it is impossible to see that there is a heaven (yang), and therefore impossible for us to see that there is such a thing called the union of opposites. The numinous then functions to remind us that there are absolute opposites-there is the infinite, the numinous and there is us, the finite, the familiar. Moreover, it reminds us also how the infinite and the finite are ultimately supposed to connect. So if we’re not sinners, then we don’t need to be humble and ask God for grace to fill us and be for our behalf. Not thinking we’re sinners will inflate us and lead us to believe we’re the shit and not depend on heaven to be.
@dls78731
@dls78731 4 роки тому
El Rilla - I love this comment, it is so rich. This reply is also available on Medium: link.medium.com/01yStH7bZZ (just because it it so long) This feels like a good comment to extend on the idea of what this series is more deeply trying to accomplish, from my perspective. As you note, when we simply rely on the cerebral notion of an idea, and fail to really delve into the depths of our participatory knowing, we risk a shallow interpretation of the world. So shallow that the word interpretation is too generous. John Searle’s “Chinese room” thought experiment comes to mind. Without a true embodied sense of the impact of the notion of, say, Justice, there is a real chance that the degree of comprehension is thin and fragile and subject to profound misrepresentation. I must admit that this exploration is so subtle that I have been deceived into thinking it was a simple question, and not fully appreciating the depths of the insight. But it goes even deeper than whether computers will ever be able to truly understand anything and participate meaningfully in consciousness. It points to the fact that the more we rely on the notions of our conceptions without a truly embodied participatory knowing the more we are stuck in a kind of chinese room and not participating in consciousness. The gift of contemplating this question in light of computer sentience and AI capability is to notice just how much we take our participatory knowing for granted. When we believe that Alpha Zero can know something real, we would be wise to recognize the limitations of what that knowing can entail. I am not claiming anything about whether AI will be able to comprehend, only to recognize how profoundly I have underestimated what it means to comprehend, and wonder in which ways will computers be able to access participatory knowing, and whether we will be able to discern how much trust of that comprehension is warranted. You’ve no doubt read of the computer vision algorithms that can be fooled by changing a trivial number of pixels, such that something that was previously correctly identified as a cat is now proclaimed to be a bowl of guacamole with 99.9% certainty, with “cat” no longer being in the top 3 guesses. This kind of misperception startles us, and becomes salient in the news reporting because of the profound capacity and weakness of AI to engage in sense making and perceptual knowing. And yet, are human beings really that much better off? Stock market bubbles and tulip madness are examples of human algorithms of abstract value going off the rails of reasonableness, as are recent electoral results (whether you go back to 2016 or 2012 in the US, or EU vs Brexit in the UK) and news cycles. The trolley car examples demonstrate biases in our purity codes deep in the structure of our participatory knowing that have strange hallucinations at the propositional level, where our gut level intuition about rightness and wrongness clearly have some odd groundings. This demonstrates more clearly why we are in a meaning crisis. I believe the way we move forward from the meaning crisis in really engaging manner is to embrace the material of this course and cognitive psychology and cognitive science to understand the gyrations and machinations of our relevance realization machinery. I believe we will continue explore the deeply forgotten foundations of our participatory knowing, and really grappling with all levels, from participatory, through perceptual, to perspectival, to propositional knowing, noting the ways in which our advances in machine knowing demonstrate the “bugs” or lack of structural integrity in our own evolutionary and collective relevance realization stack. If Lee Sodol can become a better Go player by losing to Alpha Go and re-examining his deep assumptions, perhaps there is hope for us all. But this won’t happen if we think are are approaching an error in which we get to hand the reins of control over to the algorithms. This participatory dance will require that we become more human than we’ve even been before.
@ferreirap.
@ferreirap. 2 роки тому
From Reiner Maria Rilke's First elegy: "For beauty is nothing but the beginning of terror, that we are still able to bear, and we revere it so, because it calmly disdains to destroy us"
@DannyVDub
@DannyVDub Рік тому
I’ve often thought of horror, awe, and terror occupying a similar space. Thank you for doing this for all of us, John. It’s really helping.
@danielmartines3859
@danielmartines3859 6 місяців тому
One of my favorite episodes. This is my fourth time watching the “Awakening from the Meaning Crisis” series and I love how this episodes integrates all that’s been said in the context of what’s sacred (and what the sacred is!). It’s an amazing contemplation on metaphor, sign and symbol. Thank you John on all your work.
@mauroferreira3509
@mauroferreira3509 8 місяців тому
Thank you for this series!
@ferreirap.
@ferreirap. 2 роки тому
I find it very perverse that we now live in a time where we have music in the supermarkets, the most anonimous and profane of the places. Without that constant background of low quality music most people seem to find themselves at unease, yet you're not supposed to dance, or feel the music at the supermarket, but just to stay in line and act "normal". You are not supposed to sing along, if you don't want to appear ridiculous. So the funcion of the music seems to be that of conceiling a profound alienation. The music is only there to let the people "enjoy the distraction".
@hollycamara8007
@hollycamara8007 2 роки тому
If anyone needs a transcript we've made them for this & all episodes here: www.meaningcrisis.co/ep-34-awakening-from-the-meaning-crisis-sacredness-horror-music-and-the-symbol/
@stephen-torrence
@stephen-torrence 4 роки тому
42:20 "Understand used to be 'unterstand' -- to stand WITHIN" What. The. Fuck... That feels so much better! 🤯
@phiswe
@phiswe 4 роки тому
The horror of and for the unknowable void of (non)-existence and space is known as Lovecraftian or cosmic horror. The Horror of Philosophy series by Eugene Thacker also delves into this.
@jamescoll130
@jamescoll130 Рік тому
Yes excellent reminder. Or eldritch. Endlessly fascinating horror.
@mosesgarcia9443
@mosesgarcia9443 3 роки тому
Wow. Magnificent. Has to me my Favorite episode so far. So many levels.... Thank you, Professor.
@Viplexify
@Viplexify 2 роки тому
Another super insightful episode. So many of the things we've heard of come together in how symbols work.
@anzolomyer4584
@anzolomyer4584 2 роки тому
This is an excellent academic framework for constructing a robot that won't shoot its brains out. There is something else very important about horror. It's not just "frame breaking." There is a certainty to it--a very heavy feeling of certainty. Like the sleep paralysis demon in the Fuseli painting, "The Nightmare." What makes sleep paralysis so horrifying and terrifying and awful isn't just the mystery of it all. It's this terrible feeling that something really malevolent is lurking towards you and you can't move out of the way. Prisons are horrifying--hence the idea of Hell. Death sentences are horrifying. Anything that provokes that feeling of an almost pre-destined terrible fate. Something truly malevolent that can't be escaped. It inspires a very heavy sense of dread. And so someone can feel like life itself is horrifying. No one chooses to be born into this world. And yet many, many people suffer truly awful, terrible fates. I am always reminded of Ivan Karamazov's idea of "returning God's ticket" in the chapter he discusses all those terrible things that happen to innocent children at the hands of malevolent soldiers. Or the Ursula Le Guin story, "The Ones Who Walk Away from Omelas." In that story, there's this fantasy city that's absolutely wonderful--almost unthinkably happy and precious. But its existence depends on an innocent child being locked away in some dungeon as a sort of sacrifice. And the child can't experience even a moment of relief from its dark, damp misery. And everyone in Omelas knows about the child, and they feel awful, but they are thankful for its sacrifice and go on living their blissful lives. Well, everyone except the ones who choose to walk away. This deep feeling of alienation perverts the entire project of "self-realization" and "self-transcendence." Because it feels like you are cultivating some great tower of wisdom and love on top of a truly rotten structure. Does the existence of another Socrates really validate the suffering of 10 truly miserable lives?? I will keep watching this series, as some parts have been really enlightening. My favorite idea so far has been the one about how loving a child turns them into someone worth loving. How sometimes you have to love something even (and especially) if it's not showing you any good reasons to love it. No one is perfect, and forgiveness is really healing. You have to forgive others, forgive yourself, and maybe even forgive the world. And maybe that's why Jesus has no verbal response to the Grand Inquisitor--he just kisses him. Anyway, just another insane bookmark. Thank you for all the rich content.
@Ardlien
@Ardlien 2 роки тому
Inflate sounds like the wrong word for what horror prevents. It's more like disperse. Think of the self as like a gas that expands to conform to the shape of a container which would be the constraints of reality. Suddenly the feedback of the container is removed, pressure is released, your foot doesn't find anything underneath it, you're falling into the abyss or you're dispersing into the vacuum. Some of this awe is great, you expand and then encounter the edge of a container that was slightly larger than you thought. If the awe fills you, you either impose your own boundary as a false reality or lose the integrity of the self.
@LauridsenAudio
@LauridsenAudio 4 роки тому
Nice to hear you talk about music. Its very existence is, for me, very fascinating (so salient!). I'd recommend the work of Don Ihde if you want to explore the phenomenology of sound, music and voice more. According to him, sound is the medium through which we can perceive Gods (meaning the numinous/sacred). Sound invades and resonates, thus disclosing essence to the listener. Worth checking out!
@222bookwriter
@222bookwriter 3 роки тому
I’ve so enjoyed walking through (see? I’m doing it again) these ideas with you, thank you John. Lots of dings here and a reminder to be more precise perhaps. Happy New Year to you x
@dannyjquinn880
@dannyjquinn880 4 роки тому
Thanks John. Have a nice weekend.
@taylorbarratt
@taylorbarratt 2 роки тому
Wow, my mind is racing around my relationship, past and present to horror. My story about it, a reframing in the light of these connections. There's so much here for me. And it also makes me deeply curious about the machinery of those who seem less interested or tolerant of willfully playing with horror (i.e. through film). Thanks!
@lizellevanwyk5927
@lizellevanwyk5927 2 роки тому
The words written on the (first) board had the phrase ‘the fear of the Lord is the beginning of wisdom’ pop up in my mind.
@MrStumpmeister
@MrStumpmeister 4 роки тому
Thanks John.
@toshe21
@toshe21 Рік тому
So the metaphor is very context-sensitive. You may have the single or very limited interpretation of a object, like Castle or Fortress, when it translates to merely the same outcomes (i.e. when hearing Castle, you project an image of construction built centuries ago to fortify assaults). Things turn complex when we have multiple meanings for same objects, or managed to create a metaphors out of them. It's fascinating how our brain makes all those calculations and connections between semantic and visual areas, to decide what to output. Brilliant explanation to great extend of past lectures about metaphors, thank you so much for all of this, John
@Beederda
@Beederda Рік тому
I really appreciate YOUR time JV ❤️🍄 i am determined to finish this series with minimal intake of anything else. but man you really send my mind into a thought process that falls into that combinatorial explosion category so much of what you talk about makes me reflect on my self i get entirely lost in thought and have to restart whole sections of your lectures each episode the deeper this dives just cause i am arguing with the homunculus over what your talking about 😆
@jasonmitchell5219
@jasonmitchell5219 3 роки тому
Thank you for providing us with a more accurate, deep and 'sensible' understanding of the religious language. I've often wondered why I couldn't 'feel' the impact that some articulated religious language has on some people, the words that some people feel 'touching'.
@paddykiernanmusic
@paddykiernanmusic 4 роки тому
I find that sense of horror being this eerie sense of reality slipping through one's fingers when I read Kafka, I think this exposition helps explain the basis of those feelings very well.
@paddykiernanmusic
@paddykiernanmusic 4 роки тому
Very much looking forward to hearing your perspective on Jung, I recall he employed Otto's concept of the numinous throughout his writings as well.
@JamesAndrewMacGlashanTaylor
@JamesAndrewMacGlashanTaylor 4 роки тому
Mystery is the "hor"izon between horror and awe.
@nugzarkapanadze6867
@nugzarkapanadze6867 11 місяців тому
So cool, Thank You!
@angelcandelaria6728
@angelcandelaria6728 Рік тому
This was yet another fantastic installation to the journey!
@kupkaon
@kupkaon 3 роки тому
The horror section totally reminded me of one particular psychedelic experience and it absolutely matches the description. I ended up in a state that lasted for about a week and it felt like my brain is just trying to drive myself (and itself) mad. The reality fell apart, because my mind was rejecting even the most trivial rules that govern our lives. Like, I checked the time on my laptop and I was pretty sure that if I check the time somewhere else, it will be different. Or I needed to get somewhere by train and I was absolutely sure the train was not coming. Or there was a concert at a place with a terrace and I was pretty sure it is not possible since I could not remember any terrace being there. Sounds ridiculous, but when you are in it, you cannot be more horrified. It was a state of utter nonsense and chaos. And at the beginning I was like, meh, that's it, I am done :-) I didn't have any better idea than to just keep watching the state and noticing, as in meditation (talking to others felt impossible). That probably prevented me from going nuts. And after a week I somehow assembled myself again by going through the usual situations that actually didn't end up in a weird way, I guess I started believing in the rules governing the reality again. But you can imagine what it is like to wake up in this and not knowing it's going to last just a week. Almost the longest week in my life I have to add :-) And then people come to you and they are like, what do you think, should I try ayahusca, mushrooms or something? I usually give them an existentially deep shrug :-) It's all super interesting, to even wonder what actually makes a psychedelic experience awesome or awful...
@marklefebvre5758
@marklefebvre5758 4 роки тому
I think that the metaphors are not projections (although, I like the idea of projecting the terms into a new space or world with different rules) but rather mappings. So all words change meaning with context and you change the 'context' or map, and the word changes meaning. In this case, I'd argue that the metaphor is a higher level (more details, more dimensions) mapping to a lower dimension (hence, lots of words mean similar things yet not always the same). In this sense, it is a compression algorithm, which I think is an important observation overall when talking about all of these topics - compression seems to be everywhere (as we would expect given our need to conserve energy).
@rosafalls8068
@rosafalls8068 4 роки тому
I see it nearly opposite....metaphor isn't compression, but expansion; not conservation of energy, but using it more creatively and directed. It's a type of translation between dimensions. I'd say metaphor is instead, a Compassion Algorithm, due to noticing how very literal those of low compassion, low humility, and low sense of humor tend to be. Metaphor is a beam of light shed on the darkness, a painting full of caves and a cave full of paintings. And quite often, a very important function of metaphor is to obfuscate meaning from those without eyes to see and ears to hear. Metaphor is not always meant to clarify or simplify, but to increase complexity and hidden meaning. Whatever metaphor is, it's fantastic : )
@emiliodauvin5059
@emiliodauvin5059 4 роки тому
This blew my mind
@stephenlaswell4341
@stephenlaswell4341 4 роки тому
The discussion of justice at the end really resonated with me. I think I was able to grock what John was trying to get across: we use symbols, rituals, and psychotechnologies in order to exapt the functions of 'lower' levels of the brain- to escape the realm of mere proposition in which we seem to be trapped. When we simply hear the proposition of 'justice' we remain limited in our frontal cortex: we aren't using the full depth of our capacities and we will likely fall short of addressing the complications of the world. When the participatory idea of balance is (effectively) evoked, the metaphor can be powerful enough that it actually activates our cerebellum and allows that powerful part of the brain to contribute to the cognitive processing, as if like there is a mapping of the levels of metaphor and the structures of the brain... or that it's a 'reminder' to filter the idea of justice through that part of the brain. Powerful, good shit. So we need sacred symbols and practices in order to realize our potential as general problem solvers. So often, I feel stuck, trapped in my own thoughts, lacking recourse to, grow, act, solve problems. I suspect others can relate. John, what you're doing is not only of genuine scientific value, but personally relevant and helpful to my life. I can really see the spirit of Socrates working through you. Thank you.
@clawdies
@clawdies Рік тому
This will be my first UKposts comment, but I had to say (as somebody struggling to follow the last few lectures and draw meaningful implications from the deluge of information) thank you for this summary of the episode. It helped me understand the significance of what VV is getting at and restored my faith to not bail so late in the journey.
@tatsumakisempyukaku
@tatsumakisempyukaku Рік тому
I’ve been reading Don Idhe’s book, “EXPERIMENTAL PHENOMENOLOGY,” as a means to getting into husserl and Heideggar. It occurred to me that Vervaeke’s “relevance realization” sounds very similar to the phenomenological OPENING to the world. That is to say, if you look at chapter 4, 5, and 6 of “experimental phenomenology,” the OPENING is the structure of the noesis of which determines what is seen, say, and HOW it is seen. What is “relevant” is what’s salient and what’s salient is determined by the aperture/opening. Now it does seem that vervaeke is getting at a meta-opening. Where what I described can be specific or particular openings. But these openings are either characteristic of the “machinery” of perception or on sedimented contexts. Vervaeke is getting at not just perception itself? But something transcendent to it? Idk. I’m still new to this relatively speaking.
@bettermentprojectnotes808
@bettermentprojectnotes808 4 роки тому
John, does that mean that working on ones balance, through yoga or other practices, might actually strengthen the circuits that we likewise use for justice?
@johnvervaeke
@johnvervaeke 4 роки тому
Yes I believe so. Great question.
@christopherfreeman5663
@christopherfreeman5663 4 роки тому
This was great as always. I couldn't get into the bit around the different uses of attack. Quite possibly I was missing something but the metaphorical use seemed merely idiomatic and a whole bunch of other verbs could substitute and be ok to the ear if we were accustomed to the idiomatic use, so I felt like there could be a better verb to illustrate the point.
@capoeirastronaut
@capoeirastronaut 4 роки тому
"Poetic Justice, with her lifted scale, Where, in nice balance, truth with gold she weighs, And solid pudding against empty praise." - Alexander Pope
@chrisayres1407
@chrisayres1407 4 роки тому
At the end when you're talking about bidirectionality in regard to exapting and activating the cerebellum, it made me think of the triple point of a pure substance.
@Jacob011
@Jacob011 3 роки тому
The three-foldness of animals that John talks about at ~11:00 reminds of the work by goethean biologist Wolfgang Shad, Man and Mammals: Toward a Biology of Form. His work is discussed by Bartoft in his book The Wholeness of Nature.
@hamedmoradi5291
@hamedmoradi5291 4 роки тому
Signs need interpretation but symbols can be immediately experienced. According to Tillich symbols themselves participate in what they refer to. That's why religious symbols are considered holy.
@jasetheacity
@jasetheacity 4 роки тому
I'm glad JV bought up the origin of the word understand as originally meaning "to stand between", not "on top of", knowledge somehow. After contemplating the 4 kinds of knowing I can intuit this was part of a process that in effect elevated propositional knowing "over and above" perspectival and participatory knowing. Reminded me of this essay I read several years ago: "Going Beyond Thinking Skills: Reviving an Understanding of Higher Human Faculties" by Jeremy Henzell-Thomas, IACEP Conference, University of Durham, England, July 2005 thebook.org/resource/aoe2.html "The original meaning of the word understand in English was ‘to stand in the midst of’ - that is, to understand by direct experience and engagement. The word understand is the only instance in modern English of the survival of the prefix under as meaning ‘between’ or ‘among’ (as in Old English undersecan, ‘to investigate, seek amongst’). In all other cases the prefix means ‘below’ or ‘beneath’. Old English understandan meant literally ‘to stand in the midst of’. Modern German verstehen (from Middle High German verstan) is based on a different prefix (ver-) which means ‘in front, or on top of’, so verstehen literally means ‘to stand in front of, or on top of’. Ionic Greek epí-stasthai, ‘to understand’ also means to ‘stand on top of, stand over’. Two types of understanding are implicated here: understanding through direct experience and engagement (‘standing amongst’ - understandan) and understanding through observation (‘standing in front of, or on top of - verstehen). Significantly, it was these two forms of learning which Francis Bacon regarded as the basis of his learning by ‘induction’, that is, learning by experience and observation, as opposed to the outmoded methods of medieval scholasticism based on abstract logic and authority. The revival of experience and observation was at the root of the scientific revolution in Europe. However, in the history of the West, the notion of ‘experience’ was gradually reduced to that of mere ‘experimentation’. ‘Standing in front of, or on top of’ (i.e. objectivity, objectification) has taken precedence over ‘standing in the midst of’ (subjectivity, direct experience, tasting). In other words, Bacon’s notion of ‘experience’ was gradually reduced to that of mere ‘experimentation’, which explains the spectacular success of the scientific method to the detriment of other forms of inquiry and perception involving faculties of direct insight. "
@jasetheacity
@jasetheacity 4 роки тому
Another interesting section from same article. In the context of JVs discussion on the importance of sacredness, notice use of the term "desacralise" toward the end "The importance of learning through the senses may be recognised as appropriate at very early stages of the mainstream Western curriculum, in accordance with Piaget’s stage theory of cognitive development, which demotes the intuitive, practical intelligence to the infantile level of “sensorimotor intelligence”. This mode is dominant during the first two years of life, but is superseded by more powerful, abstract, intellectual ways of knowing. Thirty years ago, the sociologist Harry Gracey had lamented the fact that “children's perceptions of the world and opportunities for genuine spontaneity and creativity are being systematically eliminated from the kindergarten.” (Gracey, op. cit.) The restitution of learning through the senses was part of the reform of educational practice in the 17th century in England, based as it was on the realization that medieval scholasticism had given rise to an arid educational process based on abstract reasoning and verbatim memorisation. This was the time of the scientific revolution - the realization that truth could be found out through actual observation and experience rather than recourse to authority. What went wrong was that the notion of “experience” as the ground of truth was narrowly applied only as “experimentation”, which gave rise to the fallacy that the only reality was the observable world accessible to the senses, and the only truth was that which could be verified by measurement. Hence, the suspicion of introspection even today. By limiting science to experimentation, the balance between inward experience (the source of spiritual insight) and external observation (the basis of scientific method) was destroyed. Such balance between religious and scientific outlooks was germane to the philosophy of Roger Bacon, one of the founding fathers of empiricism, himself strongly influenced by Islamic thinkers, especially Ibn Sina. As a result of the narrowing of the notion of ‘experience’, the mind of Western man became externalised, focused only on observable and quantifiable realities. Inward experience, the source of a deeper science or wisdom, was no longer to be trusted; the capacity for contemplation, the source of spiritual insight, was neglected, and the very idea of a hidden Reality, beyond the reach of human perception, was denied (See note 52 for a discussion of the etymology of the English word understand which shows how this word originally meant ‘stand in the midst of’). The Qur’an tells us that it is a “book for those who believe in the existence of that which is beyond the reach of human perception” (2:3). Asad comments that the Arabic word al-ghayb, commonly and erroneously, translated as “the Unseen”, is used in the Qur’an to denote all those sectors or phases of reality which lie beyond the reach of human perception and cannot, therefore, be proved or disproved by scientific observation or even adequately comprised within the accepted categories of speculative thought: as, for instance, the existence of God and of a definite purpose underlying the universe, life after death, the real nature of time, the existence of spiritual forces and their inter-action, and so forth. Only a person who is convinced that the ultimate reality comprises far more than our observable environment can attain to belief in God and, thus, to a belief that life has meaning and purpose.” The rejection of inward experience as a ground of knowledge also ensured that the Book of Nature, too, was desacralised and divested of its significance, in the sense that its beautiful and majestic signs (ayat), symbols (rumuz), and similitudes (amthal) - whether in the “far horizons” or within ourselves - were no longer seen as pointing beyond themselves to the existence of a Creator who had invested everything with “due measure and proportion,” but only as phenomena referring to nothing outside their own self-sufficient laws and mechanisms. "
@EskeAndersen
@EskeAndersen 4 роки тому
A good example of a true horror movie is It Follows. Great movie.
@SapientEudaimonia
@SapientEudaimonia 2 роки тому
Thanks for the recommendation!
@stephen-torrence
@stephen-torrence 4 роки тому
53:00 Bingo! I realize I exapted the networks I created to experience Wonder in relation to music (sound input) for use in meditation. I began "listening" to the "music" of proprioception (feeling input) and pain transformed from something horrible into something Awesome.
@dalibofurnell
@dalibofurnell Рік тому
I can see how this is challenging to explain. Nevertheless I'm happy to listen. I can emphasize with you here. I think your efforts here show your resilience and I respect that. ❤️ I think using balance is key. I like to think of balance as a yang yin zen practice.
@carbon1479
@carbon1479 4 роки тому
A good very recent example of mystic horror in music, Violence by Grimes (I usually don't listen to pop but that one of those once every five or ten years 'oh shit' moments).
@paulsip6012
@paulsip6012 2 роки тому
Thank you very much for your lectures so far. I also have read some of the books from your list. Also thank you for that. I have a question. A long time ago somebody told me that when you listen carefully to music you can feel the instuments on different parts of your body. The drums you can feel in, or is it at, your stomag, the violin in your throat and that only the harp you can't feel; its above your head. Furthermore he told me that your stomag influences your walking. Think of the tambours Napoleon and others used during wartime and the throat influences your emotions, which a can believe because my throat for instance misfunctions when I go to my dentist. Do you know if someone has studied this scientificly?
@Demosophist
@Demosophist 4 роки тому
Horror is the imminence of the mimetic crisis which occurs, typically, with any monumental change in the dominant media or technology. The "horror" in a horror movie is actually part of the containment of the real horror (the war of all against all) by the sacred, so it's a ritualistic glimpse of the real horror as a character in a narrative.
@jeddarcy3465
@jeddarcy3465 2 роки тому
I am a creative who is very deep in a mid-life existential crisis. This is helping. But I could do with a therapist who is an expert in meaning crises. Ordinary therapists don’t know what to do with it other than to suggest exercise and treat yourself occasionally. It’s like putting a bandaid on a knife wound. I’d appreciate any recommendations. Edit: The question of whether to exist or not is unfortunately weighing heavy on me. But I need to speak to someone who won’t freak out.
@erichroffler8085
@erichroffler8085 2 роки тому
Viktor Frankl will help!
@masonm6392
@masonm6392 Рік тому
Loved hearing your take on The Shining, John. I'm a big fan of "horror" movies that can evoke a sense of horror in the sense that you mean. I would love to hear your take on the movie Hereditary if you ever happen to watch it.
@jamescoll130
@jamescoll130 Рік тому
That movie was REALLY messed up.
@jeffk862
@jeffk862 Рік тому
Existential or psychological horror, definitely the best I agree with you man
@nihiladmirari7534
@nihiladmirari7534 4 роки тому
Balance is justice towards oneself (on individual level). If our socio-political global organisation follows the evolution of a single individual there should be a global tribunal of philosophers (professionals and experts with strong training in meta-RR) who should guide both the material and psycho-transformative development of humanity. Plato here :)
@nihiladmirari7534
@nihiladmirari7534 4 роки тому
ukposts.info/have/v-deo/iYiAf6mBjZ951Y0.html
@bigpicsoccer
@bigpicsoccer 4 роки тому
Just for the sake of feedback, this episode gave me that sense of wonder and inspiration like the earlier ones. I'm not exactly sure why the last few didn't - I read the jaurrero book on your recommendation and loved it and also interact with the work of kelso, turvey, heft, and others so it's not that it was difficult I think I was just worried you were going to go towards a more positivist/reductionist approach. Thanks again for putting this series out. It's been deeply meaningful and inspiring!
@JohnRiver490
@JohnRiver490 4 роки тому
John, after watching this im reminded of Freud's thesis that "the unconscious is structured like a language" by which he referred to Metaphor and Metonymy playing a functional role in manifest content of thoughts and specifically dreams. Despite it being an psychoanalytical theory, im wondering if there is any conceptual overlap or not when you state the role Metaphor plays in structuring our cognition? Or perhaps im falsely equivocating?
@indianastoned8234
@indianastoned8234 2 роки тому
I'm very curious what experience or writers you're drawing from to flesh out the concept of the sacred. Is it really from just that one book by Otto? You've nailed the experience to a T. And you're identification of horror as the balance against being swept up by wonder and awe is so apt. I find it very difficult to relate to most spiritual types because they only see the sacred as the beauty and the wonder and it's just not true. It's also this other side. One eye of God looks with love and light and the other eye is a dead eye, a cold eye, a sublimely terrible eye. And he/it looks with both. I'm looking forward to the return of the Q and A's so I can pick your brain on this.
@carbon1479
@carbon1479 4 роки тому
20:30 I've seen this a lot on my way to work, ie. everyone slowing down to 30 mph on the highway for a few miles and I have to guess there's an accident on the other side of the road. While I'm not 'one of those' who thinks of highs in the Puritan sense it sounds like that's almost a similar mechanism - I never got it and it always irritated the heck out of me.
@davidfost5777
@davidfost5777 2 роки тому
I'm always looking for new interesting lectures on Psychology/Philosophy, please let me know if you guys have any recommendations, would be highly appreciated
@AdityaVerma-br3im
@AdityaVerma-br3im 10 місяців тому
Thanks for all of this! I, along with many others, appreciate it deeply. I have a question. Although you have mentioned many things that one can do to alter one's salience landscape, like attentional scaling, featurization and making gestalts, and reframing and transframing, I am unsure about a clear set of practical things I can do to bring about changes in the way I see the world. Dear reader, could you please help me see what I need to see here? Community, as Professor Vervaeke mentioned, is important, but I am the only one like me around in IRL. Humbly, most people seem to be complacent about where they are, and where they are doesn't seem to signify a very eudaimonic salience landscape. So I turn to you for help.
@kylelaferriere4408
@kylelaferriere4408 9 місяців тому
Although I haven't yet reached John's current ongoing project "After Socrates," from what I've briefly viewed, Mr. Vervaeke is sharing the ecology of practices he engages with there which you may find relevant. I hope you are able to find what you are looking for... also, thanks for compelling me to look up the meaning of the term "eudaimonic;" I'm quite curious now if Socrates ever referred to his daimon as the "good spirit"? Nonetheless, now I have a new semantic frame for speaking of happiness and exploring the history of the term in Greece.
@AdityaVerma-br3im
@AdityaVerma-br3im 9 місяців тому
@@kylelaferriere4408 I'm glad I could be of help! And thanks for your reply. I hope you and yours are well.
@jasonaus3551
@jasonaus3551 4 роки тому
Great to hear less use of mechanical metaphors and analogies
@DragonNo1
@DragonNo1 2 роки тому
Are those patterns of "trivialization" of our culture (please, correct me if I'm wrong) progressive errors of interpretation of concepts, or (ideological) deliberate errors to keep us away from exposing ourselves to horror? Horror (as confrontation) also makes us feel alive. Is this why we, as a culture, have become adept to security? When we experience the limit of intelligibility, we see the demand for changing ourselves. It is as if we'd be saying that "madness" is a natural component of our success as a species.
@lynnlavoy6778
@lynnlavoy6778 4 роки тому
What is the difference between a symbol and a archetype? It seems the same to me, both for contemplation. Thank you!
@yeaown8139
@yeaown8139 4 роки тому
Archetypes are not *symbols* - they are deep psychological *functions*. We represent the functions symbolically, but the symbol is never the THING in itself. It can only be a finger pointing to the moon. Never mistake the finger pointing for the thing it's pointing at.
@MrPhrenzy
@MrPhrenzy 4 роки тому
@@yeaown8139 wouldn't that be a "sign"? (e.g. the heart John uses as an example in the video). Symbol, as I understand John, seems to be deeper and actually activating the exapted machinery of the brain.
@lynnlavoy6778
@lynnlavoy6778 4 роки тому
@@yeaown8139 i deleted a response, thanks 4 ur view. When i point to the moon, my finger dissappears, always thought that was wierd
@danielfoliaco3873
@danielfoliaco3873 Рік тому
Does the sacred act only psychologicaly or is it that we only can know about it psychologicaly but in reality is something happening at all the levels, including but not restricted to relevance realization?
@jreynolds4438
@jreynolds4438 4 роки тому
I found it amusing that you used horror instead of terror. Terror doesn’t scale in english like horror. Terror, terrible, terrific verse horror, horrible, horrific.
@ToriKo_
@ToriKo_ 2 роки тому
I feel like the power of your ideas come from being able to extrapolate out the deep/complicated consequences of ideas communicated through slightly different words that are broadly used, but here, intended with highly specific definitions. This is not to say your wrong John, but to critique how your message might not be reaching those who might need it most. Hopefully by the end of this series I can write a few sentences that might help someone to grasp what your saying in a more concise and easier way. I should add that I do not know the extent of my ignorance that I’ve shown by typing this tho
@johnvervaeke
@johnvervaeke 2 роки тому
Yes I think you make a fair point. I appreciate every good faith effort to do what you propose doing. Thank you!
@ToriKo_
@ToriKo_ 2 роки тому
@@johnvervaeke Thank you too John
@andreidogaru4296
@andreidogaru4296 Рік тому
The last part of the lecture, with the example of justice, is either ridiculous or incomplete, because it entails that a judge would improve her jurisprudential abilities by joining a circus and walking a tightrope. Or is there another point there?
@polymathpark
@polymathpark 2 роки тому
Polymath Park Notes!
@myplaylissst
@myplaylissst Рік тому
This might sound silly but... Does the idea of exaptation mean that acquiring skill of Tightrope walking makes me more fair-minded person?
@tiagovasc
@tiagovasc 4 роки тому
33:33 music
@laray7228
@laray7228 2 роки тому
Nice shirt
@jeffr4475
@jeffr4475 3 роки тому
31:20 Higher Order Relevance Realization
@kevin_heslip
@kevin_heslip 2 роки тому
No, thank *you* for *your* time and attention.
@heatherm.3055
@heatherm.3055 11 місяців тому
Sounds like horror is a flow mirage.
@Dingleberries345
@Dingleberries345 2 роки тому
I’m curious if you have studied anything about yogis that are labeled as “realized”. Per my understanding it is different from calling them enlightened.
@BookWorm2369
@BookWorm2369 3 роки тому
As soon as he said “pig glasses,” I imagined seeing out through the eyes of a pig. I don’t know why that needs an apology; seems like it would be better than an acid trip.
@jamescoll130
@jamescoll130 Рік тому
Wait, is Sam’s redemption coming?
@ghostsurftv2846
@ghostsurftv2846 2 роки тому
It's not gross just two different textures and a crunchy spot is rather upsetting
@jerehaw
@jerehaw 2 роки тому
"The Fear of the Lord". This means to turn from evil. When we fear something it invoke the "wonder". It like if you were kayaking and saw a big dorsal fin emerge from the water. You would be instantly transfixed to the sight. It would have all your attention. People are normally preoccupied with Eros and have no time for God - this is a focus on evil. Pro 1:7 The fear of the LORD is the beginning of knowledge: but fools despise wisdom and instruction. When we turn from evil to God we are turning to Good. The fear is the intensity that this turning or metanoia has.
@RobRandolph80
@RobRandolph80 3 роки тому
Could the inter-categorical nature of gender transition be the 'thing' about it that some subset of the population find off-putting without knowing why?
@driver_4151
@driver_4151 3 роки тому
It's a little inflammatory to put it that way, to say the least, but you are probably right.
@jeddarcy3465
@jeddarcy3465 2 роки тому
So the movie Tenet is actually a horror.
@bonnievallette5637
@bonnievallette5637 3 місяці тому
Spanda 😮
@ismireghal68
@ismireghal68 8 місяців тому
Would you call the shining a sacred work of art? Simply intuitivley i wouldn't call horror sacred. Something sacred might be overwhelming, but only in a awe-inspiring sense never with a "scary" undertone in the sense of bizarrely uncomfortable frightening. At least I, raised in the christian tradition, would say so.
@adamgolding
@adamgolding 4 роки тому
"we have trivialized music" absolutely! Pinker's most brain-dead moment in "How the Mind Works" is the whole "Music is auditory cheesecake" nonsense...
@jameshilton3399
@jameshilton3399 3 роки тому
I’ve experienced that horror a few times on edibles.
@tanzilrahber9275
@tanzilrahber9275 7 місяців тому
I don’t see what error you made when writing sacred then removing it then writing sacredness..?
@simka321
@simka321 2 роки тому
Uh oh! If inter-categoricality represents the essence of what it is to be a monster, then, as a Buddhist-Christian-Taoist-Sikh-Muslim-Jew I must be a monstrum horrendum in the eyes of most conventionally religious folks. Mwahahaha!
@TheCoyotemonster
@TheCoyotemonster 2 роки тому
I like the talk about balance. Calling adjectives metaphors was a stretch and putting music in the title and then mentioning it for a minute was irritating. My least favorite episode thus far. Actually, all the hair splitting tries my patience, but I so agree with the overall message, I will struggle on
@delalucius5137
@delalucius5137 Рік тому
I'm the 666th like! XD
@leedufour
@leedufour 4 роки тому
Thanks John.
@johnvervaeke
@johnvervaeke 4 роки тому
Thanks Lee.
@hamedmoradi5291
@hamedmoradi5291 4 роки тому
Signs need interpretation but symbols can be immediately experienced. According to Tillich symbols themselves participate in what they refer to. That's why religious symbols are considered holy.
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