Get Perfect skintone with this unique technique in resolve. (lets try this again)

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Janik Bros Films

Janik Bros Films

День тому

this is my second video on this since the last one was a little to subtle of a change to see the benefits on youtube!

КОМЕНТАРІ: 16
@supriyosarkar1806
@supriyosarkar1806 Місяць тому
revisitng this third time already and yeah it's a great way. Thanks !!
@JanikBrosFilms
@JanikBrosFilms Місяць тому
I’m really happy it’s working for you! Thank you. Made my day
@Humcrush
@Humcrush 15 днів тому
You hit the skin tones with a hammer. Better to bias (balance) them to get them in the desired ballpark, then do a slight bit of compression to even them out.
@JanikBrosFilms
@JanikBrosFilms 15 днів тому
Totally agree with you on that. I usually do balance first. I should have done that first on this video. I had a previous video that was so subtle of a change people were complaining that I didn’t see the difference on UKposts so I made an extreme example.
@r.d.fodrek
@r.d.fodrek Місяць тому
Thanks for doing this! The other one had me squinting haha
@JanikBrosFilms
@JanikBrosFilms Місяць тому
I was getting really annoyed with myself on the previous so I had to do it.lol. I’m glad it was more clear this time. Thanks!
Місяць тому
im thinking that maybe you get same results using only Tetra DCTL, you isolate the skin and then use the indicator to move the skin tone where you want it
@JanikBrosFilms
@JanikBrosFilms Місяць тому
I will have to try that. Good idea.
@Humcrush
@Humcrush 15 днів тому
That's different than compressing. That would shift it in one direction. Compressing moves the more magenta tones towards yellow, but the more yellow tones towards magenta. Looking at the vectorscope, compression makes the band of selected color more narrow.
14 днів тому
@@Humcrush yes you can shift magenta towards yellow using tetra, i used the vectorscope as well to verify, using compress makes it look unnatural to me
@happylukman
@happylukman Місяць тому
Great job man. Can you help me with free Dctl ? I would really appreciate if you can.
@JanikBrosFilms
@JanikBrosFilms Місяць тому
Unfortunately it’s not free. You have to get it from mononodes.com
@sanadakhumanthem3557
@sanadakhumanthem3557 Місяць тому
How do you implement this with filmbox?
@JanikBrosFilms
@JanikBrosFilms Місяць тому
What I do is I will put this utility dctl at the end of my node tree or on my timeline if if I want to check my skin tones across all clips. I will then make a node right before utility node to qualify skin. So simply in node structure 1.cst (camera colorspace to DaVinci wide gamut) 2.highlight adjustment and balance) 3.filmbox negative only 4.filmbox print only (output display RCM SDR) 4. CST out 709 5. Skin qualify node 6. Utility dctl. I will turn on all nodes(make sure grain on filmbox is off for this part) I will qualify skin and then add color compressor on same node I qualified and then turn on utility node and then pick color on image with qualify to in color compressor effect and pick the part this is most yellow and then compress hue to my liking. I suggest balancing your image first for so you don’t have to compress as much.
@sanadakhumanthem3557
@sanadakhumanthem3557 Місяць тому
@@JanikBrosFilms the grading process occurs in between 03. and 0.4 nodes like between negative and print?
@JanikBrosFilms
@JanikBrosFilms Місяць тому
@@sanadakhumanthem3557 so that is the way I like to do it but you can grade before filmbox node and set filmbox mode to full instead of neg and print in separate nodes.
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